Kashi Vishwanath Temple

Kashi Vishwanath Temple

The oldest living city in the world, Varanasi is the ultimate destination of all Hindu pilgrims searching for moksha from the cycle of birth and re-birth. The word 'Kashi' originated from the word 'Kas' which means to shine. Kashi is mentioned repeatedly in the scriptures - the Brahmanas, Upanishads and the Puranas. It is the oldest center of learning and the University here is still widely respected for its Sanskrit, Philosophy, and Arts faculties. Hyuen Tsang, the Chinese traveler visited Varanasi in the 7th century.

Stepped in tradition and mythological legacy, Kashi is the 'original ground' created by Lord Shiva and Parvati. The Kashi Vishwanath Temple is dedicated to Lord Shiva. The temple was destroyed in the various invasions and was rebuilt in 1776 by Rani Ahilyabai of Indore. Hundreds and thousands of pilgrims flock to Varanasi to offer homage and wash away their sins.

Vishweshwara jyotirlinga has a very special and unique significance in the spiritual history of India. Deeply and intimately implanted in the Hindu mind, the Kashi Vishwanath Temple has been a living embodiment of our timeless cultural traditions and highest spiritual values. The Temple has been visited by all great saints- Adi Shankaracharya, Ramkrishna Paramhansa, Swami Vivekanand, Goswami Tulsidas, Maharshi Dayanand Saraswati, Gurunanak and several other spiritual personalities.

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Kapaleeswarar Temple

Kapaleeswarar Temple

In Chennai, Mylapore, the Kapaleeswarar Temple is extremely ancient temple and is one of the visited temples. The original temple was underwater beneath the sea and the present temple construction was an afterward construction.

The Amman is karpagambal and Moolavar is kapaleeswarar. There are split sannadhis for many deities such as Murugar, Vinayagar, Saneeswara, Annamalaiyar. There are many other deities such as Chandikeswarar, Durgai, Dakshinamurthy located within the major Sannadhis of Kapaleeswarar (Shiva) and Karpagambal (Paravati).

Kapaleeswarar (Shiva) and Karpagambal (Paravati) temple is visited one. The temple is one of the main attractions in Madras. The present construction is an about 300 years old. The deity has been vocal by poets of the past millennium. This temple is also offered with enlarge mandapams and a storage tank. The temples tank lies reverse the tower.

Kapaleeswar temple is devoted to Lord Shiva. Kapaleeswaram is offered with a Shiv Lingam which is considered as having been set up by the Brahma. The lingam is well known Kapaleeswarar. Pravati is a small shrine in the type of peacock and included in the courtyard. This temple is the bronze statue of sixty-three shaivite saints. The Dravidian culture is a well example. However, the divinities have been commonly said of well-known personalities.

The Arupath Moovar Vizha festival has a huge crowd in March to April every year. Temple festivals attract enormous crowds here. The temple gives the 10 days occasions. The temple is decorated beautifully with the road complimenting the stated occurrence. In nearby district, there are sweet sharing ceremonies, classical dance performance and processions.

The temple has additional devoted to Muruga (called Singara Velar) and Ganesha (a dancing type called Nardana Vinayakar), with his 2 consorts Deivayani and Valli. Devote are smaller shrines other kinds of Muruga (Palani Andavar), shiva (Sundareswarar, Jagatheswarar and Annamalaiar) and others. Navagraha temple is also current. Sani Bhagavan a separate temple on Saturday will be special puja's done.

Vahanas

At the temple, the vahanas include the parrot, elephant, goat, bandicoot, bull and peacock among additional as a golden chariot is a new addition. On the vahana the Goddess and the God is seated with brought around the shrine and the temple band playing music during this happening. Around the vahanas devotees gather and believe it a respect to lift on the vahana in the Goddess and the God.

Nowadays, the temple rectangular site complex is crowded with stalls like temple jewelers, flower sellers and silk merchants, creating it a charming place to as left a few hours.

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Kailash Temple

Kailash Temple

Kailash Temple is situated at Ellora and is believed that it was constructed by excavating approx. 200,000 tones of rock and is possible the world's largest monolithic structure. Representing Shiva's Himalayan home, the temple is exquisitely sculpted and is considered as one of the most astonishing 'buildings' in the history of architecture. A crowning glory of the art, Kailash temple at Ellora is indeed unique. Instead of carving down into the face of a cliff and creating underground halls which had been the practice, the sculptors/architects set aside all convention and created a full temple, identical in every detail to a structural, 'built-up' example, by carving vertically down into the living rock.

The scheme of the Kailash temple is basically divided into four main parts: the body of the temple itself, the entrance gateway, an intermediate nandi shrine and the cloisters surrounding the courtyard. Much of the imposing character of the main shrine is due to its substantial plinth, which on first examination seems to be a floor by itself. Above and below this, the sub-structure is heavily molded, while the central space is occupied by a frieze of elephants and lions.

The Kailash temple is not only the single largest work of art executed in India, but as an example of rock-cut architecture it stands unrivaled. One gradually becomes aware of the stupendous labor that it involved (over a hundred years), and finally, the sculpture that adorns it. Standing within its walls, one cannot help but be aware of the spiritual energy that went into its creation - a jewel hewn out of the rock itself.

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Jwalamukhi Temple

Jwalamukhi Temple

One of the 51 Shaktipiths of India, the temple of Jwalamukhi is in Jwalamukhi town which is about 70 kilometers from Dharamsala. Jwalamukhi is a famous temple of Goddess Jwalamukhi, the deity of flaming mouth, believed to be the manifestation of the Goddess Sati. The building is modern with a gilt dome and pinnacles, and possesses a beautiful folding door of silver plates. The Devi appears in the form of nine different flames. The principal one is believed to be Mahakali. The other eight flames at different places in the temple represent the following Goddesses Annapurna, Chandi, Hing Laj, Vidhya Vasini, Maha Lakshmi, Maha Sarswati, Ambika and Anjana.

In princely times, temple affairs were guided and supervised by the princely state of Nadaun. In 1809, Maharaja Ranjit Singh visited the temple and after dyeing his hand in saffron, stamped an agreement in the temple premises with Raja Sansar Chand-the local ruler. Later after tasting success in the Afghan war, Maharaja Ranjit Singh gilded the roof of the Jwalamukhi temple as a thanksgiving. His son Kharak Singh, presented to the temple a pair of silver plated folding doors.

The deity is- offered Bhog of Rabri or thickened milk, Misri or candy, seasonal fruits, milk and arti is done. The puja has different 'phases' and goes on practically the whole day. Arti is done five times in the day, Havan is performed once daily and portions of "Durga Saptasati" are recited.

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Jagannath Temple

Jagannath Temple

Situated on the eastern coast along the blue waters of the Bay of Bengal, Orissa offers to magnificent temples, sunny beaches, colourful wildlife, traditional tribal culture and a rich heritage. While several temples have vanished or have declined in importance, the great temple of Lord Jagannath at Puri is still a living and vibrant temple. Over the centuries it has attracted kings, conquerers, religious teachers, devotees and pilgrims. In the minds of the millions of Indians, Orissa is the land of Jagannath. This temple of Lord Jagannath at Puri is one of the most sacred pilgrimage spots in India, one of the four abodes (dhamas) of the divine that lie on the four directions of the compass.

The temple of Jagannath Puri is a rekha dwell with curvilinear tower on a pancha ratha plan and was built by Ananta Barma Chodaganga Dev during 12th century A.D. and was completed by Ananga Bhima Dev. This temple is one of the tallest monuments in the country, height is about 214 feet from the ground level. It stands on an elevated platform of stone measuring about 10 acres, which is located in the heart of the down town and presents an imposing sight.. The temple has four gates at the eastern, southern, western northern midpoints of the Meghanad Prachir and are called Lions gate, Horse Gate, Tiger Gate and the Elephant Gate respectively.

Lord Jagannath, the symbol of universal love and is worshiped in the Temple along with Balabhadra, Subhadra, Sudarshan, Madhaba, Sridevi and Bhudevi on the Ratnabedi or the bejewelled platform. The Deities, Lord Jagannath, Balabhadra, Subhadra and Chakra Sudarshan are made of margosa wood.

Maha-prasada is pure vegetarian spiritual food offered to Lord Jagannath. Just by eating this maha-prasada one makes great spiritual advancement. Every day, fifty-six varieties of prasada are offered to Lord Jagannath. The main offering of the day becomes available anywhere from 3 to 5 pm (sometimes later). The offering times are not exact and change day by day.

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ISKCON Temple

ISKCON Temple

A.C. Bhaktivedanta Swami Prabhupada is the founder acharya of the hare krishna movement. Completed in 1998, this is a complex of temples. The International Society for Krishna Consciousness (ISKCON) was initially raised as a spiritual society in New York to Propagate the message of the Bhagwad Gita. It was founded by Swami Prabhupada. In India there are about 40 ISKCON temples. Contemplating the traditions of the ancient Vaishnava tradition, its philosophy and practice, these spiritual temples have left a mark on all mankind. Visiting these temples proves to be a pleasant and revealing experience.
ISKCON temples are dedicated to Lord Krishna and were built by the Hare-Rama Hare-Krishna cult followers. These complexes are elegantly built and are few of the largest temple complexes in India. There are beautiful paintings of Russian artists on the different past times of Radha Krishna, Sita, Ram, Laxman, Hanuman and Chaitanya Mahaprabhu. Special programmes like Kirtan, Aarti, Pravachan and Prasadam are held every Sunday.
Famous ISKCON Temples In India

• ISKCON Temple, Delhi
  For many this is just a temple, for finding solace, peace and quiet. Sitting amongst Lord Krishna and his devotees with Hare Krishna chants going around is indeed an experience. But for those who are seeking more, there is so much to learn and see, than what meets the eye.
• ISKCON Temple, Bangalore, Karnataka
  The ISKCON Temple was built recently by the International Society for Krishna Consciousness. As you climb the granite steps you will encounter three small shrines before the main temple. The three idols of Lord Krishna in the main shrine are made of brass.
• ISKCON Temple, Vrindavan, Uttar Pradesh 
  It is located within the premises of the Krishna-Baldev Temple in Vrindavan. Beautiful paintings depicting the life of Lord Krishna adorn the galleries leading to the main temple. ISKCON devotees from various parts of the world can be spotted manning the library or ISKCON book stalls and partaking in temple rituals.
• ISKCON Chandradoya Mandir, Mayapur, West Bengal 
  This is the international headquarters of ISKCON. Surrounded by: a Vedic city, the main Deities are Sri Radha Madhava. The Deities are larger than life-size. There are also eight Gopis, four on each side of Radha-Madhava. Also on the main altar is a small set of Radha-Krishna Deities. On the left altar are Deities of the "Pancha-Tattva-Advaita Acarya", Lord Nityananda, Lord Chaitanya, Gadadhara, and Srivasa Thakur. To the left of this altar is another altar with an impressive Deity of Lord Narasimha.

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Guruvayoor Temple

Guruvayoor Temple

The fourth biggest temple in India in terms of the number of devotees per day, Guruvayoor Temple dedicated to Lord Krishna. Though the devotees worship him as Lord Krishna, the deity is that of a complete man incarnation of Lord Maha Vishnu with four arms. This shrine is popularly known as the Dwaraka of south and is in the form of a rectangle. There are a lot of mural paintings around the Shrine. Being one of the most sacred and important pilgrim centres of Kerala, it is probably the only temple in the state that hosts the maximum number of marriages and rice feeding ceremony, the ritual first meal for infants.

The Guru along with his disciple Vayudeva (god of air), found a place which was recommended by Lord Paramashiva. Thus the Guru and Vayu installed this deity and Paramashiva named the place as Guruvayoor. The idol is carved out a stone called 'Pathala Anjana Sila' and is utmost sacred. The place selected for the installation was suitably sacred by the presence of Lord Shiva.

The outer enclosure has a 33.5-m tall gold-plated flag post and there is also a 7 m high pillar of lamps, whose thirteen circular receptacles provide a truly brilliant spectacle, when lit. The square 'Sreekovil' is the sacred sanctum sanctorum of the temple, housing the main deity. Within the temple, there are also the images of Ganapathy, Sree Ayyappa and Edathedathy Kavil Bhagavathy. Only Hindus are allowed inside the temple.

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Golden Temple

Golden Temple

The Golden Temple or Darbar Sahib, situated in Amritsar, Punjab, is the most sacred temple for Sikhs. It is a symbol of the magnificence and strength of the Sikh people all over the world. In the evolution of the Darbar Sahib, is entwined the history and ideology of Sikhism. In its architecture are included, symbols associated with other places of worship. This is an example of the spirit of tolerance and acceptance that the Sikh philosophy propounds. The history of the Darbar Sahib starts with Guru Amar Das, who took the first steps towards building a shrine. Around the Golden Temple, the holy city of Amritsar came into being. His successor, Guru Ram Das, came to live near this tranquil and peaceful site, and started building the pilgrimage centre around the small pool, (later to become the Sarowar) which had intially drawn Guru Amar Das.

By the time of Guru Ram Das' death, the pre eminence of the Darbar Sahib among the sikh devotees was unquestionable.

The Harmandir Sahib, or the sanctum sanctorium, was envisoned by Guru Arjan Dev. This was concieved by him to reflect the resoluteness, clarity and simplicity of the Sikh relegion. The Harmindir Sahib today stands as the hallowed symbol of the indestructability of the Sikh faith.

The gilding, marble, mirror and inlay work on the Harmandir Sahib came much later. It was the nineteenth century during the reign of Maharaja Ranjit Singh, that the proud people of Punjab lavished their wealth on their shrine in Amritsar.

The Granth Sahib, the holy book of the Sikhs, was installed in the Harmandir Sahib in 1604, three years after its completion. The location of the Granth Sahib here, adds to the sanctity & reverence of the Harmandir Sahib. Here lies the heart of Sikhism. This symbol of abiding faith and tolerance is held in high esteem by every Sikh. And this is the place which every Sikh dreams, ever so often, of visiting.

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Eklingji Temple

Eklingji Temple

Known as the protector deity of Mewar, Eklingji Temple is located about twelve miles to the North of Udaipur in Rajasthan. This deity was regarded as the pragmatic ruler by the Maharajas of Mewar - who considered themselves to be regents (Dewans) under Eklingji. A beautiful town, Eklingji attracts thousands of visitors throughout the year. This temple is said to have been founded by Acharya Viswaroopa a contemporary of Adi Sankaracharya and is linked with the Sharada Math at Dwaraka founded again by Adi Sankaracharya.

The temple occupies an area of about 2500 sq. feet and is about 65 feet in height. The temple area is fortified and a strong wall runs around it. The main entrance to the temple on the Western side welcomes visitors into a big hall resting on profusely carved pillars. In this hall, is a silver image of Nandi. There are two more Nandis in the temple, one made of black stone and the other of brass.

Other deities housed in the temple complex include Parvati, Ganesh, Ganga, Kartikeya, Yamuna and Saraswathi. There are also small temples dedicated to Ambamata, Kalka Mata and Ganesh in the temple complex. There is another temple called Nathon Ka Mandir in the temple complex with inscriptions dating back to the 10th century CE. No worship is offered here.

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Dwarka Temple

Dwarka Temple

Dwarka, on the west coast of Gujarat on the shore of the Arabian Sea, features in most of the legends surrounding Lord Krishna. It is from here that the grown Lord Krishna is supposed to have ruled his kingdom. Dwarka is a significant pilgrimage site for the Hindus.

Dwarka is sanctified as the place where Lord Vishnu slew the demon Shankhasura. The Puranas mention the 12 Jyotirlingas or columns of light representing Lord Shiva which manifested in different parts of the country. One of these is located in Dwarka and is known as the Nageshwar Mahadev. The Jagat Mandir or Nij Mandir forms the sanctum of the Dwarkadish temple and dates back to 2500 years. Jagat Mandir has its own hall of audience and a conical spire. The roof of the hall is supported by 60 columns and the main temple rises five storeys high. The spire rises to a height of 157 feet and is richly carved. One of the most popular temples in Dwarka is that of Rukmini, Krishna's wife, considered an incarnation of Goddess Lakshmi, the goddess of wealth and beauty. The Sharad Peetha, one of the four Maths established by Jagatguru Shankaracharya, is also situated here.

Dwarka is situated in the extreme west of the Indian state of Gujarat in the Saurashtra peninsula on the Arabian Sea. It lies on 20°22' north latitude and 69°05' east longitude. The city is built on the right bank of Gamut creek.

Dwarka is an important pilgrimage center. It is steeped in legends, being associated with the life of Lord Krishna. In Puranic times, present-day Dwarka was known as Kushasthali or Dwaravati and enjoyed pride of place as the most important spot on the Saurashtra coast. It is said that Lord Krishna, after slaying Kansa, left his abode at Mathura and traveled with the entire Yadava community to the coast of Saurashtra where he founded a town and named it Swarnadwarika.

Vajranabh, Lord Krishna's successor and great grandson, is believed to have built the present temple Dwarkanath, also called Trilok Sundar. Many Hindus fervently believe that the temple was erected in one night by a supernatural agency, under Vajranabh's direction. Legend has it that when dying, Lord Krishna asked his devotees to leave Swarnadwarika so that the sea could engulf it. Until this day, Lord Krishna's city lies buried under the sea. Excavations have revealed that the sea swallowed five settlements, the present-day Dwarka being the sixth in line.

The temple of Dwarkadheesh, also known as Jagat Mandir, is built on the north bank of the Gomti Creek. The temple dates back to 2,500 years. Architecturally the temple is constructed on the same plan and system as most of the Hindu sacred edifices of antiquity. Sixty columns support the roof of the audience hall of the Jagat Mandir. The main temple is five-story high with the lavishly carved conical spire rising to a height of 157 feet. There is the one-meter tall, four handed black idol of Ranchhodrai, the ruler of Dwarika. Amongst the large number of temples belonging to different periods in the history of Dwarka, the most popular with pilgrims is the temple of Rukmini, Lord Krishna's wife, who is considered an incarnation of Lakshmi, the goddess of wealth and beauty.

In addition to its temples and legends, Dwarka is also sanctified as the seat of Adi Shankaracharya, who established four seats (maths) in four different directions in the country. Research work in Sanskrit is carried on at the Shankaracharya's seat known as Sharad Peetha.

Rukmini Devi Temple
This small temple, 1.5km north of town, is an architectural masterpiece. Rukmini is the most important of Krishna's 16,108 wives. The temple walls are decorated with beautiful paintings depicting her pastimes with Krishna. This temple is said to date back to the 12th century.

The story behind this temple is that one day, Durvasa Muni, who is easily angered, was invited by Lord Krishna and his wife, Rukmini, to dinner. When a person is invited to dinner, etiquette dictates that the host should not eat until the guest has been satisfied. On the way to dinner, Rukmini became thirsty and asked Krishna for help. Krishna then put his foot in the ground and the Ganges waters flowed forth from the earth while Durvasa was not looking. As Rukmini was drinking the water, however, Durvasa turned and saw her drinking without his permission. He became angry and cursed her to live apart from Lord Krishna. That is why Krishna's temple is in the town and hers is located outside the town.

Gomati Ghat Temples
Gomati, the descended Ganges, meets the sea at Chakra-tirtha Ghat. To take bath where the Gomati meets the ocean is said to offer liberation. If you go out the back entrance of the Dwarkadish Temple, you can see the Gomati River. The temple is located almost at the spot where the Gomati meets the ocean.

The Samudra Narayana Temple (Sangam Narayana) is an imposing temple at the confluence of the Gomati and the sea. Panchanada Tirtha consists of five sweet-water wells surrounded by seawater. At Chakra Narayana, Lord Vishnu was manifested as a stone marked with a chakra on the seashore. The Gomatiji Temple has an image of the Gomati River in it, said to have been brought down from heaven by Vasistha Muni.

Other Pilgriamge Attractions
Nageswara Mahadeva Temple contains one of the twelve Siva Jyotirlingas in an underground sanctum. It is located 10km from Dwarka.

Gopi-tallava is the kund (pond) where Lord Krishna met the gopis when they came to see him at Dwarka. The sacred clay from Gopi-tallava is known as gopi-candana and is used by devotees of Krishna to make the tilak marks on their bodies. It is 20km north of Dwarka on the way to Bet Dwarka.

Bhalka Tirth
The spot where Lord Krishna was mistaken for a deer and struck by a arrow hile sleeping in a deerskin. It is said Lord Krishna was cremated at Dehotsarga at Triveni Ghat.

Closeby lies Somnath with its shrine built by Soma, the Moon God. The Majestic monument as it stands today is a recent replication of the earlier construction. It is said that the original temple built by the Moon God was of gold. After it was razed to the ground it was rebuilt by Ravana in silver. When the silver temple was knocked down it was reconstructed in wood by Krishna and when this was pulled down an edifice of stone was erected by Bhimdev. Relics of the old Somnath shrine have been preserved in a museum housed in a temple. An interesting Sun Temple is also located in Somnath. Somnath is also one of the 12 Jyotirlingas or Shiva shrines in India.

Janmashtami (birthday of Lord Krishna), celebrated in the month of August/September, is a major festival of Dwarka.

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Dwarkadhish Temple

Dwarkadhish Temple

Gujarat has been a gateway of commerce and culture between the East and the West and is one of the oldest civilizations on the earth. Dwarka is one of four most scared pilgrimage centers (Chardham) of Hindu faith and is associated with Lord Krishna's life. The main giant ornate shrine is situated on the western most tip of saurastra. According to the epic Mahabharata, the city in due course was submerged by the sea. The submergence of Dwarka and the cause of submergence are of historical and oceanographic interest because of historic Dwarka is likely to throw light on the Dark Age of Indian history.

Ornate, exquisite and majestic, Dwarkadhish Temple (Jagat Mandir) is one of the most imposing five- storied structures of Hindu architecture in Gujarat on the confluence of river Gomti and Arabian sea. The five-storey high temple is built on seventy-two pillars. The temple spire is 78.3m high. From the temple dome waves an eighty-four foot long multicolored flag decorated with the symbols of the sun and moon. Lord Krishna's grandson, Vajranabha, is said to have built the original temple of Dwarkadhish over the hari-griha (Lord Krishna's residential place).

The sanctum of the temple is formed by the Jagat Mandir, or Nija Mandir, which dates back at least 2500 years. The Jagat Mandir has a tall tower and a hall of audience. There are two entrances to the temple. The main entrance (north entrance) is called "Moksha Dwara" (Door to Salvation). This entrance leads to the main market. The south entrance is called "Swarga Dwara" (Gate to Heaven). Outside this doorway are 56 steps that lead to the Gomati River.

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Chattarpur Temple

Chattarpur Temple

Situated in the capital of India, the Chattarpur Mandir is a fine example which presents Delhi a place that has some spectacular Hindu Temples to it's credit. 4-km away from Qutb Minar, stands the flamboyant and rich temples of Chattarpur. Made of shining white marble, these temples are very popular with the city's Hindus and the queues during Durga Puja have to be seen to be believed. The main temple dedicated to goddess Durga is built in South Indian style.

The temple complex is spread over a large area with beautiful lawns and gardens. Though devotees visit these temples throughout the year, the main attraction comes during the Navarathri festival, when devotees come from far and near. During this time, there are special bus services provided to the devotees.

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Birla Temple

Birla Temple

The Laxmi Narayan Mandir (temple) built by B.D. Birla is a modern Hindu temple dedicated to Laxmi (goddess of wealth) and Narayana (the preserver). It was inaugurated by Gandhi with the stipulation that it should be open to all castes (including the untouchables) and all faiths, so it is more welcoming to foreigners than the average temple.

After visiting so many ancient Hindu temples, it was fun to see a modern functioning one. The whole temple was quite garish, and noisy with chants over the loud speaker system, but it was also strangely peaceful. In the garden there was a tree wound with colored strings, and two women were praying at the foot.

This temple was built over a six year period (1933 - 1939) and was opened by Mahatma Gandhi.

The highest tower in the temple reaches a height of 165 feet while the ancillary towers reach 116 feet. The Geeta Bhavan, a hall is adorned with beautiful paintings depicting scenes from Indian mythology. There is also a temple dedicated to Buddha in this complex with fresco paintings describing his life and work. The entire complex, especially the walls and the upper gallery are full of paintings carried out by artists from Jaipur in Rajasthan. The rear of the temple has been developed as an artificial mountainous landscape with fountains and waterfalls.

This is one of the landmarks in the nation's capital New Delhi. It was built in the 20th century by the Birla family of industrialists known for its many other temples in India. It is modern in concept and construction. It attracts several devotees and international tourists. The presiding deity here is Lakshmi Narain (Vishnu).

Other Shrines in the temple Durga and Shiva are the other major deities housed in this temple. Mention must be made of the Buddha temple in this complex. Access and Accommodation: Accomodation is available in the temple guest house for out of town travellers especially for international scholars pursuing knowledge in Sanskrit or in the Hindu religion.

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Cave (Badami) Temple

Cave (Badami) Temple

Situated in North Karnataka, Badami was founded by Pulakesin I in the 6th century A.D and was once the capital of the Chalukya empire. The Chalukyas are to be acknowledged with path-finding a new architectural style, examples of which can be seen in Badami, Aihole, Pattadakal and other neighboring areas. They built a number of temples, and other monuments that marked the beginning of the Hindu style of architecture. This new style combined the best of two distinct styles - the North Indian, Indo-Aryan Nagara style and the South Indian Dravidian style. Known as the Chalukyan style, this style is manifested in many cave temples, dedicated to Brahmanical deities, as well as the many Buddhist and Jain monasteries in the region.

The caves found here are as follows
Cave 1 :
The first cave made of red sandstone, dates back to 578 A.D. and was probably the first to be carved. One has to climb up 40 odd steps to reach the colonnaded verandah, a hall with numerous pillars and a square shaped sanctum hollowed in the control back wall.

Cave 2 :
Dedicated to lord Vishnu depicted here as a dwarf or 'Trivikrama' of awesome dimensions with one foot mastering the Earth and the other the sky, the second cave is atop a sandstone hill.

Cave 3 :
Still going higher up one comes across this cave antedating 578 A.D. The facade of the cave is nearly 70 feet wide, on the plinth one can see the carvings of ganas. The sheer artistry and sculptural genius makes this cave the highlight of Deccan art.

Cave 4 :
The only Jain cave, the construction of Cave four started in the 6th century and completed after nearly 100 years later then the earlier three caves.

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Bahai Temple - Lotus Temple

Bahai Temple - Lotus Temple

It is a very recent architectural marvel of the Bahai faith, located in Kalkaji, south of Delhi. Shaped like a half opened Lotus flower, this temple is made of marble, cement, dolomite and sand. It is open to all faiths and is an ideal place for meditation and obtaining peace and tranquility. Bahai's Temple is a marvel of modern architecture, which is visible from several spots in south Delhi. The lotus flower signifies purity and peace, a representation of the Manifestation of God, to the people of India. This ancient symbol has been given a modern and contemporary form in the structure of the Bahai House of Worship drawing into its sanctum sanctorum people from all races, religious backgrounds and culture from around the globe. It represents the Bahai faith, - an independent world religion; divine in origin, all embracing in scope, broad in its outlook, scientific in its method, humanitarian in its principles, and dynamic in the influence.

The Bahai Faith
The Bahá'í Faith is the youngest of the world's independent religions. Its founder, Bahá'u'lláh (1817-1892), is regarded by Bahá'ís as the most recent in the line of Messengers of God that stretches back beyond recorded time and that includes Abraham, Moses, Buddha, Zoroaster, Christ and Muhammad.

The central theme of Bahá'u'lláh's message is that humanity is one single race and that the day has come for its unification in one global society. God, Bahá'u'lláh said, has set in motion historical forces that are breaking down traditional barriers of race, class, creed, and nation and that will, in time, give birth to a universal civilization. The principal challenge facing the peoples of the earth is to accept the fact of their oneness and to assist the processes of unification.

One of the purposes of the Bahá'í Faith is to help make this possible. A worldwide community of some five million Bahá'ís, representative of most of the nations, races and cultures on earth, is working to give Bahá'u'lláh's teachings practical effect. Their experience will be a source of encouragement to all who share their vision of humanity as one global family and the earth as one homeland.

Bahai Houses of Worship
Bahai house of worship are open to all peoples. Although their architectural styles differ widely, the nine sides and central dome common to all of them symbolize at once the diversity of the human race and its essential oneness. Devotional programs are simple, consisting of prayers, meditations, and the reading of selections from the sacred scriptures of the Bahá'í Faith and other world religions. Music is provided by unaccompanied choirs.

The Grand Structure of Bahai Temple
In the raising of the House of Worship in New Delhi traditional Indian means of construction were employed coupled with the most modern Western engineering design. Fariborz Sahba, Canadian architect of Iranian origin, spent 10 years in designing and project management, and with the help of a team of about 800 engineers, technicians, artisans and workers brought to realisation one of the most complicated constructions in the world. Rising pure and unsullied above stagnant, muddy waters, the Indians have seen this flower as worthy of emulation, teaching them to be detached from material preoccupations.

This temple joins six other Bahai temples around the world. Each of these Houses while sharing some basic design concepts, has its own distinct cultural identity embodying the principle of unity in diversity. The structure of the House is composed of three ranks of nine petals; each springing from a podium elevating the building above the surrounding plain. The first two ranks curve inward, embracing the inner dome; the third layer curves outward to form canopies over the nine entrances. The petals, constructed of reinforced white concrete cast in place, are clad in white marble panels, performed to surface profiles and patterns related to the geometry. Nine arches that provide the main support for the superstructure ring the central hall. Nine reflecting pools surround the building on the outside, their form suggesting the green leaves of the lotus flower. Translating the geometry of the design, in which there are virtually no straight lines, into the actual structure presented particular challenges in designing and erecting the framework.

Not only was it difficult to align, so as to produce accurately the complex double-curved surfaces and their intersections, but also the closeness of the petals severely restricted workspace. Nevertheless the task was carried out entirely by the local labourers. Thanks to each one who contributed in its construction. To avoid construction joints, petals were concreted in a continuous operation for approximately 48 hours. Concrete was carried up the staging by women bearing 50-pound loads in baskets balanced on their heads. All the steel reinforcing for the shells of the lotus petals was galvanised to avoid rust stains on the white concrete in the prevailing humid conditions, guaranteeing the life of the delicate shell structure of 6 to 18 cm thick shells of the petals. India is well endowed with human resources.

The architect believes that this design could not have been executed anywhere else because it is rare to find the combination of traditional craftsmanship, pride in one's work, empathy for spiritual undertaking, perseverance under all odds and ample patience, as can be found in the Indian sub-continent. As commented by progressive Architecture of USA in their article on the Bahai Temple "It goes to prove that high-tech concepts do not always demand high-tech solutions." The Indian visitors, from the most sophisticated to the most simple, expressed perplexity at the absence of any idols. It has been a hard task since explaining to them that the all-pervasive Almighty cannot be put in any limited form. Hence, over the years the visitors from India have begun to understand that the purpose of the Bahai House of Worship is to unite the hearts of the people and bring them closer to their Creator.

Since its inauguration to public worship in December 1986, the Bahai House of Worship has drawn to its portals more than 50 million visitors, making it the most visited edifice in the world. People have come regardless of the scorching summer heat of Delhi, which sometimes rises above 40°C during the months of June to September, and have braced the chill and cold rains that Delhi experiences during winter. They have admired the beautiful lotus form of the Temple, and have been fascinated by the teachings of the Bahai Faith, which believes in oneness of God, oneness of religions and oneness of mankind.

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Baijnath Temple

Baijnath Temple

Baijnath temple is the most amazing monuments of the Bias valley. The village is located 23 miles east of Nagarkot. It is near the Mandi border and on the main road which guides from the Punjab plains during Lahul, Kangra, Kulu and Ladakh to Central Asia and consists of an adytum or puri, 8 sq.ft. inside and 18 sq.ft.outside, prevailed by a spire of the regular conical shape, and a mandapa, 20 sq.ft.inside, covered with a low pyramid shaped roof.

Baijnath temple is a small township in the Dhauladhar range of western Himalayas. It is located at Palampur 16 km in the Kangra District of Himachal Pradesh. It is well-known for thirteen century temple devoted to Siva as Vaidyanath, 'the Lord of physicians'. The current name Baijnath became well-liked after the temple name. The town is situated on the left bank of the river Binwa. It is a stream of river Beas.

Architecture of Baijnath Temple

The temple of Baijnath is built in the Nagri style. The temple of roof is in the pyramid shape with 2.5 square meters from inside and about covering the area of 5.5 square meters from outside the temple places. The temple of Mandap (conical shaped dome) obtains support from the 4 artistic large pillars. This temple is an only example of architect of Kangra.

In 1204 AD, Raja Sansar Chand was built in the Bajinath Temple. The temple is located at Kangara a distance of 36 km east. Lord Shiva temple is situated on the stretch of Mandi in Palampur road. The Lord Shiva temple is well-known for the Linga. Every year the Baijnath temple is a lot of devotees to get blessing from Lord. During the March visit to tourist to this sacred temple of Bajinath to enjoy the bright festival of 'Shivrati'.

Baijnath Temple - Shivratri Festival

Baijnath temple is also known as 'Shivratri Festival'. In the March, the festival is renowned to mark the marriage ceremony of Lord Shiva. During this festival number of pilgrims turned up. The year, on this favorable day, it is the Lord Shiva married to Goddess Parvati. The festival is renowned all through the night includes of several ceremonies and rituals. Here every year a 5 day state level function is held on Maha Shivratri.

How to reach

The temple is accessible by road from Kangra, Palampur, Dharamsala and all the main cities of Himachal Pradesh. Tourist can use private taxis and get state transport buses.

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Akshardham Temple

Akshardham Temple

In the long history of man's endeavor to grasp the fundamental truth of being, the sages and profound thinkers of early India have helped in solving the problems of the origin, the nature and the destiny of man and the universe. Since then temple has acted as the entrance of self-realization and God. Akshardham is not just a temple, but a place of education, entertainment and enlightenment. There are 73 richly patterned and 63 partially carved pillars.

Spread across a 23-acres, this complex is flooded with shrines, sculptures, parks, lakes and rides. All these come together to create the most powerful experience of Indian culture ever to exist. Dedicated to Lord Swaminarayan and inspired by Pujya Pramukh Swami Maharaj, Akshardham is a miracle worked by the service and devotion of thousands of volunteers.

The imposing 10 story high monument is made entirely of intricately carved, 6000 tons of pink sand-stone from Rajasthan, with no steel or cement used at all, ensuring that the monument will last for a thousand years. More than 12 million man hours of 900 skilled craftsmen have created this magnificent monument of 93 sculpted pillars, 40 windows carved from both sides, and a feast of forms and filigrees. Built inch to inch according to the ancient Sthaapatya shastras of India, no steel has been used. Support beams are 22 ft. single piece stone blocks. The pillars are poetry in stone, with beautiful expression from foot to crown.

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