Aryans Who Were the Aryans? The Aryans were semi-nomadic Nordic Whites, perhaps located originally on the steppes of southern Russia and Central Asia, who spoke the parent language of the various Indo-European languages. Latin, Greek, Hittite, Sanskrit, French, German, Latvian, English, Spanish, Russian etc. are all Indo-European languages; Indo-European, or more properly Proto-Indo-European (PIE), is the lost ancestral language from which those languages ultimately derive. The "Proto" indicates that the grammar and vocabulary of this long extinct language, probably spoken up until 3000 BC, are a hypothetical reconstruction by modern philologists. Just as Romance languages like Italian and Spanish derive from Latin, so Latin derives from PIE. Indo-European philology traditionally used "Aryan" both to denote a people, understood racially or ethnically, and the language group itself ("Aryan speech"), irrespective of the race or ethnicity of the people speaking its various branches. In the wake of National Socialist Germany's defeat, the term fell out of general scholarly use in both senses, and "Indo-European" (IE) became the preferred designation of the language group, "Indo-Europeans" of both the people who occupied the original Aryan homeland and their descendants, who gradually spread out across Europe, much of the Indian sub-continent, and parts of the Near East. Racial nationalists are not, of course, obliged to adopt the timid PC-lexicon of contemporary scholarship, but we should be aware of imprecision of "Aryan" as a racial or ethnic classification.

Arya, meaning "noble," appears in various Indo-European languages. Its plural form (Aryas="nobles") was probably the name the Aryans used to describe themselves prior to their dispersal, and it may survive in Eire (Ireland) and certainly survives in Iran (Airyanam vaejo="realm of the Aryans"). The discovery of thousands of such cognate words in widely separated languages, along with similar grammatical structures, led philologists to conclude, early in the nineteenth century, that most European languages had evolved from a common proto-language spoken millennia ago by a distinct people who gradually left their original homeland in a series of migrations, carrying their language with them. Traditionally Greek, Latin and Sanskrit were considered the closest languages to PIE, and much of the reconstructed Aryan proto-language is based on them. Modern Lithuanian, however, is the most archaic living language, closer to the original Aryan speech than any other. There is even an IE language, Tocharian, attested in Chinese Turkestan, which indicates that Aryans must have made an appearance in the Far East, a long-standing piece of linguistic evidence which has been recently confirmed by the discovery of the physical remains of a blond-haired people in China. One Model of Indo-European ("Aryan") Migration Perhaps the most famous proof for the prehistoric existence of PIE is the word for king: rex in Latin, raja in Sanskrit, ri in Old Irish, along with a host of other cognates. All are obviously variants of a common word for king. Since none of the peoples speaking these various languages were in physical contact with one another during the historical period -- i.e. at a time for which written records exist -- comparative philologists inferred that their respective languages must have evolved from a single proto-language, which is the only way of explaining the presence of the same word for "king" among such widely dispersed peoples. The Romans clearly didn't borrow rex from the Irish or the Indo-Aryans; each had instead inherited their own word for "king" from a common ancestral language. Philologists can also, moreover, safely conclude that the Aryans must have had kings prior to emigrating from their original homeland in southern Russia. In fact a fairly detailed body of evidence about prehistoric Aryan political organization, marriage practices, and religious beliefs can be reconstructed on the basis of the survival of common vocabulary in the various extant Indo-European languages: They worshiped a sky-god, they traced descent through the male line, they raised cattle, they drank meed, they used horse-drawn chariots (which they probably invented) as weapons of war, etc. Even the red, white and blue/green that appears in so many modern flags may have an Aryan pedigree. It is likely a survival from the Aryan tripartite social division of their communities into priests (white), warriors (red), and herders and cultivators (blue/green). Aryans, or more specifically Indo-Aryans, make their first notable appearance in history around 2000-1500 BC as invaders of Northern India. The Sanskrit Rig Veda, a collection of religious texts still revered by modern Hindus, records (often enigmatically) their gradual subjugation of the dark-skinned inhabitants, the Dasyus: e.g. "Indra [=Norse Thor, Celtic Taranis] has torn open the fortresses of the Dasyus, which in their wombs hid the black people. He created land and water for Manu [=Aryan man]"; "lower than all besides, hast thou, O Indra, cast down the Dasyus, abject tribes of Dasas"; "after slaying the Dasyus, let Indra with his white friends win land, let him win the sun and water"; "Indra subdued the Dasyu color and drove it into hiding." With all-outstripping chariot-wheel, O Indra, Thou, far-famed, hast overthrown the twice ten kings ... Thou goest from fight to fight, intrepidly Destroying castle after castle here with strength. (RV 1.53) The Aryans were remarkably expansionist, and almost everywhere they went they conquered and subjugated the indigenous peoples, imposing their languages and (to varying degrees) their religious beliefs on the natives, and receiving in turn contributions from the peoples whom they conquered. Aryan invasions -- or more accurately, a long sequence of different invasions by speakers of Indo-European languages -- swept across Old Europe beginning as early as the fourth millennium BC, and over time the conquerors and the conquered melded into specific peoples with distinctive languages. Most of the contemporary inhabitants of Europe, along with their respective early national cultures, are the result of interaction between successive waves of Aryan invaders and culture of the particular White people that they conquered and with whom they later intermarried, and as a result almost all modern European languages are members of the Western branch of the IE family tree. The birth of a European culture, however, predates the arrival of the Indo-Europeans: The cave art of Lascaux, which some have identified as the first flowering of Western man's creative genius, was the work of Old Europeans, as were Stonehenge in the North and the Minoan Palace culture of Crete in the South. A pan-European religious symbolism had already evolved, much of which was later incorporated into IE mythologies, including various regional adaptations of the ubiquitous Old European reverence for the Mother Goddess. Many of the principal figures in Greek mythology predate the arrival of Aryans, and during the course of ancient history Old European religious beliefs and practices continually reasserted themselves. [Image: Minoan snake goddess, from the Palace of Minos, circa 1600 BC] Europe is European because the conquerors and the conquered were members the same White race, different branches on the same family tree; India is a morass of poverty because the bulk of the conquered, with whom the Indo-Aryans eventually intermarried, were non-White Veddoids. The lesson is obvious. Even today high-caste Hindus can still be identified by their Caucasian features and light skin, and the poorest and most backward parts of India are generally the darkest. As an aside, recent genetic studies have indicated that the Basques of Aquitaine and the Pyrenees are probably the purest form of Old Europeans as they existed prior to the arrival of Indo-European invaders. They evidently emerged from the invasions of Europe unconquered, and they remained sufficiently isolated to retain their own unique, non-IE language.

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Posted in: Indian history

Caste System in India The pattern of social classes in Hinduism is called the "caste system." The chart shows the major divisions and contents of the system. Basic caste is called varn.a, or "color." Subcaste, or jâti, "birth, life, rank," is a traditional subdivision of varn.a. The Bhagavad Gita says this about the varn.as: The works of Brahmins, Ks.atriyas, Vaishyas, and Shudras are different, in harmony with the three powers of their born nature. The works of a Brahmin are peace; self-harmony, austerity, and purity; loving-forgiveness and righteousness; vision and wisdom and faith. These are the works of a Ks.atriya: a heroic mind, inner fire, constancy, resourcefulness, courage in battle, generosity and noble leadership. Trade, agriculture and the rearing of cattle is the work of a Vaishya. And the work of the Shudra is service.

There are literally thousands of subcastes in India, often with particular geographical ranges and an administrative or corporate structure. When Mahâtmâ Gandhi wanted to go to England to study law, he had to ask his subcaste for permission to leave India. ("Gandhi" means "greengrocer" -- from gandha, "smell, fragrance," in Sanskrit -- and that should be enough for a good guess that Gandhi was a Vaishya.) Sometimes it is denied that the varn.as are "castes" because, while "true" castes, the jâtis, are based on birth, the varn.as are based on the theory of the gun.as (the "three powers" mentioned in the Gita). This is no more than a rationalization: the varn.as came first, and they are based on birth. The gun.as came later, and provide a poor explanation anyway, since the gun.a tamas is associated with both twice born and once born, caste and outcaste. Nevertheless, the varn.as are now divisions at a theoretical level, while the jâtis are the way in which caste is embodied for most practical purposes. Jâtis themselves can be ranked in relation to each other, and occasionally a question may even be raised about the proper varn.a to which a particular jâti belongs. Associated with each varn.a there is a traditional color. These sound suspiciously like skin colors; and, indeed, there is an expectation in India that higher caste people will have lighter skin -- although there are plenty of exceptions (especially in the South of India). This all probably goes back to the original invasion of the Arya, who came from Central Asia and so were undoubtedly light skinned. The people already in India were quite dark, even as today many people in India seem positively black. Apart from skin color, Indians otherwise have "Caucasian" features -- narrow noses, thin lips, etc. -- and recent genetic mapping studies seem to show that Indians are more closely related to the people of the Middle East and Europe than to anyone else. Because Untouchables are not a varn.a, they do not have a traditional color. I have supplied blue, since this is otherwise not found, and it is traditionally used for the skin color of Vis.n.u and his incarnations. Chief among those is Kr.s.n.a (Krishna), whose name actually means "black" or "dark," but he is always shown blue rather than with some natural skin color. The first three varn.as are called the twice born. This has nothing to do with reincarnation. Being "twice born" means that you come of age religiously, making you a member of the Vedic religion, eligible to learn Sanskrit, study the Vedas, and perform Vedic rituals. The "second birth" is thus like Confirmation or a Bar Mitzvah. According to the Laws of Manu (whose requirements may not always be observed in modern life), boys are "born again" at specific ages: 8 for Brahmins; 11 for Ks.atriyas; and 12 for Vaishyas. A thread is bestowed at the coming of age to be worn around the waist as the symbol of being twice born. The equivalent of coming of age for girls is marriage. The bestowal of the thread is part of the wedding ceremony. That part of the wedding ritual is even preserved in Jainism. Ancient Iran also had a coming of age ceremony that involved a thread. That and other evidence leads to the speculation that the three classes of the twice born are from the original Indo-European social system -- the theory of George Dumézil. Even the distant Celts believed in three social classes. The three classes of Plato's Republic thus may not have been entirely his idea. Although there must have been a great deal of early intermarriage in India, nowhere did such an Indo-European social system become as rigid a system of birth as there. The rigidity may well be due to the influence of the idea of karma, that poor birth is morally deserved. According to the Laws of Manu, when the twice born come of age, they enter into the four âshramas or "stages of life." The first is the brahmacarya, or the stage of the student (brahmacârin). For boys, the student is supposed to go live with a teacher (guru), who is a Brahmin, to learn about Sanskrit, the Vedas, rituals, etc. The dharma of a student includes being obedient, respectful, celibate, and non-violent. "The teacher is God." For girls, the stage of studenthood coincides with that of the householder, and the husband stands in the place of the teacher. Since the boys are supposed to be celibate while students, Gandhi used the term brahmacâri to mean the celibate practitioner that he thought made the best Satyagrahi, the best non-violent activist. The second stage is the gârhastya, or the stage of the householder, which is taken far more seriously in Hinduism than in Jainism or Buddhism and is usually regarded as mandatory, like studenthood, although debate continued over the centuries whether or not this stage could be skipped in favor of a later one. This is the stage where the principal dharma of the person is performed, whether as priest, warrior, etc., or for women mainly as wife and mother. Arjuna's duty to fight the battle in the Bhagavad Gita comes from his status as a householder. Besides specific duties, there are general duties that pay off the "three debts": a debt to the ancestors that is discharged by marrying and having children; a debt to the gods that is discharged by the household rituals and sacrifices; and a debt to the teacher that is discharged by appropriately teaching one's wife or children. The third stage is the vânaprastya, or the stage of the forest dweller. This may be entered into optionally if (ideally) one's hair has become gray, one's skin wrinkled, and grandchildren exist to carry on the family. Husbands and wives may leave their affairs and possessions with their children and retire together to the forest as hermits. This does not involve the complete renunciation of the world, for husbands and wives can still have sex (once a month), and a sacred fire still should be kept and minimal rituals performed. This stage is thus not entirely free of dharma. The Forest Treatises were supposed to have been written by or for forest dwellers, who have mostly renounced the world and have begun to consider liberation. I am not aware that forest dwelling is still practiced in the traditional way. The modern alternatives seem to consist of the more stark opposition between householding and becoming a wandering ascetic. The fourth stage is the sannyâsa, or the stage of the wandering ascetic, the sannyâsin (or sâdhu). If a man desires, he may continue on to this stage, but his wife will need to return home; traditionally she cannot stay alone as a forest dweller or wander the highways as an ascetic. The sannyâsin has renounced the world completely, is regarded as dead by his family (the funeral is held), and is finally beyond all dharma and caste. When a sannyâsin enters a Hindu temple, he is not a worshiper but one of the objects of worship. Not even the gods are sannyâsins (they are householders), and so this is where in Hinduism, as in Jainism and Buddhism, it is possible for human beings to be spiritually superior to the gods. It has long been a matter of dispute in Hinduism whether one need really fulfill the requirements of the Laws of Manu (gray hair, etc.) to renounce the world. There are definitely no such requirements in Jainism or Buddhism. The Buddha left his family right after his wife had a baby, which would put him in the middle of his dharma as a householder. Jainism and Buddhism thus developed monastic institutions, but these did not really develop as such in Hinduism. The four stages of life may, somewhat improbably, be associated with the four parts of the Vedas: the sam.hitâs with the stage of the student, who is particularly obligated to learn them; the brâhman.as with the stage of the householder, who is able to regulate his ritual behavior according to them; the âran.yakas with the stage of the forest dweller, who regulates his ritual behavior according to them and who begins to contemplate liberation; and finally the upanis.ads with the stage of the wandering ascetic, who is entirely concerned with meditation on the absolute, Brahman. The twice born account for about 48% of Hindus. The rest are Shudras and Untouchables. The Shudras may represent the institutional provision that the Arya made for the people they already found in India. The Shudras thus remain once born, and traditionally are not allowed to learn Sanskrit or study the Vedas. Their dharma is to work for the twice born. But even below the Shudras are the Untouchables, who are literally "outcastes," without a varn.a, and were regarded as "untouchable" because they are ritually polluting for caste Hindus. Some Untouchable subcastes are regarded as so polluted that members are supposed to keep out of sight and do their work at night: They are called "Unseeables." In India, the term "Untouchable" is now regarded as impolite or politically incorrect (like Eta in Japan for the traditional tanners and pariahs). Gandhi's Harijans ("children of God") or Dalits ("downtrodden") are prefered, though to Americans "Untouchables" would sound more like the gangster-busting federal agent Elliot Ness from the 1920's. Why there are so many Untouchables (15%-20% or so of Hindus) is unclear, although caste Hindus can be ejected from their jâtis and become outcastes and various tribal or formerly tribal people in India may never have been properly integrated into the social system. When Mahâtmâ Gandhi's subcaste refused him permission to go to England, as noted above, he went anyway and was ejected from the caste. After he returned, his family got him back in, but while in England he was technically an outcaste. Existing tribal people, as well as Untouchables, are also called the "scheduled castes," since the British drew up a "schedule" listing the castes that they regarded as backwards, underprivileged, or oppressed.The Untouchables, nevertheless, have their own traditional professions and their own subcastes. Those professions (unless they can be evaded in the greater social mobility of modern, urban, anonymous life) involve too much pollution to be performed by caste Hindus: (1) dealing with the bodies of dead animals (like the sacred cattle that wander Indian villages) or unclaimed dead humans, (2) tanning leather, from such dead animals, and manufacturing leather goods, and (3) cleaning up the human and animal waste for which in traditional villages there is no sewer system. Mahâtmâ Gandhi referred to the latter euphemistically as "scavenging" but saw in it the most horrible thing imposed on the Untouchables by the caste system. His requirement on his farms in South Africa that everyone share in such tasks comes up in an early scene in the movie Gandhi. Since Gandhi equated suffering with holiness, he saw the Untouchables as hallowed by their miserable treatment and so called them "Harijans" (Hari=Vis.n.u). Later Gandhi went on fasts in the hope of improving the condition of the Untouchables, or at least to avoid their being politically classified as non-Hindus. Today the status of the Shudras, Untouchables, and other "scheduled castes," and the preferential policies that the Indian government has designed for their advancement ever since Independence, are sources of serious conflict, including murders and riots, in Indian society.

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Posted in: Indian history

Vrindavan Temple

Vrindavan Temple

Vrindavan, around 15 km from Mathura, is a major place of pilgrimage, on the banks of Yamuna . Attracting about 5 lakhs pilgrims every year, it is noted for its numerous temples- both old and modern. Vrindavan is synonymous with the innocent mirth and child like playfulness of Shri Krishna. Vrindavan, the dusty little town known for the temples, big and small, famous and remote strewn all over the place.

Vrindavana is 135 km south of Delhi and 55 km north of Agra, just off the Delhi-Agra Road. It is 12 km or a 25-minute auto-rickshaw ride from Mathura. It has a small-town type atmosphere with narrow streets and not much motor traffic. There are said to be over 5000 temples in Vrindavana.

Vrindavan is situated in the north Indian state of Uttar Pradesh around 151 km south of Delhi. It extends latitude 27°33¢ in the North to longitude 77°44¢ in the East. The place is just 10 km off Mathura, the place where Lord Krishna is said to have spent his childhood. Vrindavan is situated on the New Delhi-Chennai and New Delhi-Mumbai main railway line. A meter-gauge line connects Vrindavan to Mathura. There are quite a good number of passenger trains plying between these two places

The name 'Vrindavan' is derived from 'Vrinda', another name for the sacred tulsi (basil) plant. A legend has it that the entire place was a tulsi grove at one time. According to another tradition, it was named after Vrinda Devi, one of Krishna's playmates. The earliest known shrine in Vrindavan is said to have been built by the local gosains in a large garden called Nidhiban, later named Seva Kunj. According to tradition, Emperor Akbar was taken blindfolded inside the grove where he had some kind of a spiritual experience. As a result, he acknowledged the spot as being holy ground.

The four temples that were built in honour of his visit are Govind Deva, Madan Mohan, Gopinath, and Jugal Kishore. The first is an impressive edifice built in red sandstone. Architecturally this temple is one of the finest in North India.

However, apart from its history, what keeps Vrindavan alive in the popular imagination of the people is its rich legend and mythology. Vrindavan is considered the place where Lord Krishna spent his early childhood. It was here that Krishna indulged in adolescent pranks with the gopis (milkmaids) in the forests and stealing their clothes while they bathed in the river.

Banke Bihari Temple
This temple was established by Haridas Swami, a contemporary of the six Goswami's. He discovered the Banke Bihari Deity at Nidhivana, where Banke Bihari was originally worshiped. Banke Bihari was moved here when this temple was constructed in 1864. This is the most popular temple in Vrindavana, especially in the month of Sravana, during Jhulan Yatra. The curtain before the Deities is not left open like at other temples. Every few minutes the curtain is pulled shut and then opened again. The Dieties do not get up until 9 am. The temple has mangala-arati only one day a year. Only one day a year can the lotus feet of the Deity be seen, on Akhyaya Tritiya.

ISKCON Temple
HARE RAMA HARE KRISHNA, this name is probably amongst the first things that spring to a westerner's mind when one thinks of India or the spirituality connected to it. A.C. Bhaktivedanta Swami Prabhupada (also known as Srila Prabhupada) established the movement officially known as the International Society for Krishna Consciousness (ISKCON) in 1966. The society has since developed into a worldwide confederation of 6,000 temple devotees and 190,000 congregational devotees. It comprises of more than 350 centers, 60 rural communities, 50 schools and 60 restaurants spread all across the globe. The aim of the society is to "promote the well being of society by teaching the science of Krishna consciousness according to the Bhagavad-Gita and other ancient Vedic scriptures of India."

Braja Mandala Parikrama
Every year in Kartika (Oct/Nov) ISKCON puts on a Braja Mandala parikrama. It is a one-month walking tour that goes to all 12 forests in Vrindavana. The parikarma visits most of major place in the Braja area including Mathura, Radha Kund, Varsana, Nandagrama, Gokula, Vrindavana, and Govardhana Hill. It is traditional to do this walk in bare feet, although shoes are permitted.

Krishna Balarama Mandir
This beautiful temple has Deities of Gaura-Nitai (left altar), Krishna Balarama (middle altar), and Radha-Shyama-sundara (Radha-Krishna on right altar). In front of the temple is the Samadhi Mandir of His Divine Grace A.C.Bhaktivedanta Swami Prabhupada, the Founder Acarya of the International Society for Krishna Consciousness (ISKCON). This is where his body was laid to rest after he left this world and returned to the spiritual world.

Yamuna River
This is the most sacred river in Indian. The main reason it is so sacred is because it flows through Vrindavana and Mathura, and was thus intimately connected to Lord Krishna's pastimes. One who bathes in the Yamuna can be purified of all sinful reactions and attain love of Godhead.

Kesari Ghat
Lord Krishna killed the Kesi demon here. Kesi Ghat is on the bank of the Yamuna. If you bath here you get the benediction of bathing in all off the holy places. There is an arati performed here every day at sunset.

Govindaji Temple
This temple was built in 1590 and took several thousand men five full years to build. The original Govindaji Deity was found about 450 years ago by Rupa Goswami. Govindaji was removed from this temple when the Muslim emperor Aurangzeb tried to destroy it. The original Deity is now in Jaipur, in a temple right outside the King of Jaipur's palace.

This temple was originally seven stories high, with an altar of marble, silver and gold. A sculptured lotus flower weighing several tons decorates the main hall. On meeting Rupa Goswami, Man Singh from Jaipur, a general in Emperor Akbar's army, built this magnificent temple. Aurangzeb and his army later destroyed part of the temple. When few stories remained, all of a sudden the ground began to shake violently and Aurangzeb's men were terrified and ran for their lives, never to return.

The Deities on the altar in this temple are Govindaji in the middle, to His left is Lord Caitanya, and to His right is Lord Nityananda. Below are small Radha and Krishna Deities. Below Them are Lord Jagannath and a Govardhana-shila.

Madana Mohana Temple
The original Deity of Madana Mohana was discovered at the base of an old vat tree by Adaita Acarya, when visited Vrindavana. He entrusted thje worship of Madana Mohana to His disciple, Purusottama Chaube, who then gave the Deity to Sanatana Goswami. Sanatana Goswami spend 43 years in Vrindavana. Worshiped along with Madana Mohana are Radharani and Lalita, who were sent to Vrindavana by Purusottama Jena, the son of Maharaja Prataparudra.

This 60 foot high temple was opened in 1580 on a 50 foot hill called Aditya Tila, next to the Yamuna. Ram Das Kapoor paid to build the temple. One day a ship he owned, loaded with merchandise, went aground in the Yamuna. He was advised by Sanatana Goswami to pray to Madana Mohana for help. The ship came free and the owner of the ship made a big profit, which he used to built this temple.

Radha-Damodara Temple
This temple was founded by Jiva Goswami. The main Deities here are Sri Radha-Damodara. Other Deities worshiped here are the Radha-Vrindavana Candra Deities of Krishna Dasa Kaviraja Goswami, the Radha-Madhava Deities of Jayadeva Goswami, and the Radha-Chalacikana Deities of Bhugarbha Goswami. The original Deities were all moved to Jaipur. When the original Deities are moved, the replacement Deity is called a pratibhu-murti and is considered as good as the original Deity.

Radha-Gokulananda Temple
In this temple you can see the Radha-Vinod Deities of Lokanath Goswami, Radha-Gokulananda Deities of Viswanath Cakravarti, Caitanya Mahaprabhu Deity of Narottama Dasa Thakur, Vijaya Govinda Deities of Baladeva Vidyabhushana, and the Govardhana-shila given by Lord Caitanya to Raghunath Dasa Goswami. The samadhis of Lokanath Goswami, Narottama Dasa, and Viswanath Cakravarti are in front of the temple. Viswanath Cakravarti arranged to have this temple built.

Radha-Gopinath Temple
The Deity of Gopinath was discovered at Vamsivat by Paramananda Bhattacarya, who entrusted the Deity's worship to Madhu Pandita. On the altar are deities of Srimati Radharani and Her sister, Ananga Manjari, Madhu Pandita's samadhi is next to the temple.

Gopinathji was originally installed in Vrindavana by Vajranabha, the great grandson of Krishna. When the Muslims raided Vrindavana, the original Gopinath Deity was taken to Jaipur. The Gopinath Deity in Jaipur and Lord Krishna are said to exactly resemble each other from Their shoulders down to the waist.

Radha- Raman Temple
Gopal Bhatta Goswami established this temple. The Deity of Sri Radha-Raman was manifested from one of Gopal Bhatta Goswami's shalagram-shilas on the full moon day of Vaisakha (April/ May) in 1542. This event is celebrated every year (May) by bathing the Deity with 100 litres of milk and other auspicious items. The remnants of this abhiseka (bathing) are like nectar. Gopal Bhatta Goswami's other shalagram-shilas are worshiped on the altar here. The appearance place of the Sri Radha-Raman Deity is next to the temple. Radha-Ramanji is one of the few original Deities of the Goswami's still in Vrindavana. The standard of worship in this temple is very high.

Radha-Syamasundara Temple
These are the Deities of Syamananda Prabhu. Darshan is from 8.30 to 11 am and 5 to 8 pm. It is one of the seven major temples in Vrindavana. Syamananda's samadhi is across the street and down from the entrance of the temple.

Seva Kunja (Nikunjavan) 
Krishna would massage Radharan's feet and decorate Her hair with flowers here. Once Krishna pushed His flute into the ground here and created a small kund, called Lalita Kund, to satisfy Lalita Sakhi's thirst. No one is allowed within the enclosure at night. The numerous monkeys that are there during the day also leave at night.

Sona Gauranga Temple
These Deities were worshiped by Jagannath Dasa Babaji. They are located in a person's house next to Prema Talkies cinema in the lane opposite the Radha Gopinath Temple.

Gopiswara Mahadeva Temple
The Siva-linga in this temple was installed by Vajranabha, the great grandson of Krishna. Every morning from 4 am to noon, thousands of people pour Yamuna water over the linga. It is said that the big pipal tree here is a kalpavriksya tree and will fulfil all desires. This temple is in the Vamsivata area.

Chir Ghat
Krishna rested here after killing the Kesi demon. Lord Caitanya also rested here. Some people say that the Gopis' clothes were stolen here by Krishna and other say that this pastime happened 14 km up the river.

Imli Tala
Sri Caitanya Mahaprabhu would come daily to Imli Tala to chant japa, when He was living in Vrindavana. Imli Tala means the shade of the tamarind tree. Imli means 'tamarind' and tala mean 'tree'. There is a small temple here with Gaura-Nitai and Radha-Krishna Deities.

Vrindavana Parikrama
It is customary for devotees to walk around the town of Vrindhavana. There is a parikrama path that goes around the town. This path is one street over from the ISKCON temple. It takes two or three hours to go around the town.

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Posted in: Hindu Temple

Vaishno Devi Temple

Vaishno Devi Temple

The shrine of Mata Vaishno Devi is one of the most visited pilgrim sites in India. Situated at a height of 5, 300 ft., the site is located inside a cave in a hill. One of the most visited pilgrim sites in India, the shrine of Mata Vaishno Devi is located in a cave, amidst the folds of the Trikuta Bhagwati hill at a height of 5, 300 ft., in the state of Jammu and Kashmir (J & K). This cave temple is at a distance of 61 kms from Jammu and the last 13 kms of the way have to be negotiated on foot by the yatris, as the devotees are called. Once at the entrance to the cave, the path turns into a narrow tunnel with a cold stream named the Charan Ganga running through it. The pilgrim has to wade through this to reach the sanctum sanctorum.

The holy cave shrine of Vaishno Devi is nestled in a beautiful recess of the Trikuta Mountains forming a part of the lower Himalayas. It is located 61 km north of Jammu at a height of 5,200 feet above the sea level in the state of Jammu and Kashmir. In the cave there are images of three deities viz. the Mahakali, Mahalakshmi and Mahasaraswati.

The Vaishno Devi shrine is nestled in the Trikuta Mountain. It lies 61 km north of Jammu in the northern state of Jammu and Kashmir. Perched at a height of 5,200 feet above the sea level, Vaishno Devi is a cave in the lower Himalayas. Katra, the town at the foot of the Trikuta hills is the base camp for the Vaishno Devi shrine. Katra is 48 km from Jammu, 650 km from Delhi (via Una), 520 km from Udhampur, 410 km from Chandigarh and 80 km from Patnitop The shrine is visited all through the year, but the path is difficult during the winters when the route is often blocked by snowfall.

The temple of Vaishno Devi is dedicated to Vaishnavi, the human manifestation of Goddess Shakti. Within the temple is the deity in the form of a five and half feet tall rock with three Pindies or heads. It is written that the goddess to achieve her destiny of finally merging with Lord Vishnu assumed the form of a human and was born as Vaishnavi, in the household of one Ratnakar. Even as a young girl, Vaishnavi displayed an immense thirst for knowledge that soon out thought her teachers. Soon she started to search within herself for the answers that she couldn't find elsewhere and learnt the art of meditation. Realizing the importance of Tapasya (meditation) Vaishnavi renounced all worldly comforts and betook herself to the forest to meditate in peace.

Legend has it that while Vaishnavi was in the forest she encountered Lord Rama, prince of Ayodhya, who was in exile. Recognizing him immediately as an avatar of Lord Vishnu she begged him to merge with her, but Lord Rama, knowing that the time was not ripe promised her that on the completion of his exile he would again pass that way. If she recognized him then he would fulfill her wishes. True to his word he returned in the guise of an old man, but Vaishnavi failed to recognize him. Rama consoled her and advised her to set up an ashram at the base of the Trikuta Hills and continue with her penance.

The holy Shrine of Mata Vaishno Devi Ji is unique as it contains the holiest of holy Pindis manifesting Mata in her three forms which are Maha Kali, Maha Lakshmi and Maha Saraswati. Each of these forms represent particular attributes.

Maha Kali represents Tam Guna : Tam stands for darkness or unholiness. In her attribute of Maha Kali, Mata is constantly endeavoring to vanquish the forces of darkness. She blesses her devotees by giving them strength to never lose heart and constantly battle the forces of darkness till they prevail upon them. Maha Lakshmi represents Raj Guna : Raj stands for sustenance, prosperity and well being. In her attribute of Maha Lakshmi Vaishno Mata blesses her devotees with wealth and prosperity and thus makes their life more comfortable and happy.

Maha Saraswati represents Satva Guna : Satva stands for purity and goodness. In her attribute of Maha Saraswati, Mata blesses her devotees with pure thoughts and a high intellect. This enables them to distinguish between the good and the bad, between righteousness and unrighteousness and helps them to adopt the correct path in life.

A combination of these three attributes in a single Shakti is known as Mata Vaishno Devi Ji and this unique combination is what makes her revered all over the world. Each person on earth contains the attributes of Tam Guna, Raj Guna and Satva Guna in some degree or the other. His or her behavior is therefore, conditioned by the attribute that is predominant. However, to lead a full and meaningful life a balance has to be struck amongst the three. This balance is extremely difficult to achieve. It needs divine blessings. It is only at Vaishno Devi Ji that such blessings are possible simultaneously from a single source of Shakti . This is what makes the holy Shrine of Mata Vaishno Devi Ji unique in the world.

The Yatra

The Yatra begins at Katra and pilgrims have to cover 13 km of terrain on foot to reach the Darbar. One kilometer away from Katra, is Banganga, place where Mata quenched her thirst and at 6 km further down, is the holy cave at Adhkawari.The entire 13 km route is quite wide and tiled. Besides, the whole path is lit up every night by powerful sodium vapour lamps. The whole route is swept and cleaned from time to time throughout the day. Yatris are requested to keep the path clean.

Shelter cum sheds and shelter cum cafeterias are setup throughout the route. Pure vegetarian food is available at these outlets. Price charts are exhibited at all these outlets prominently. Drinking water has been made available all along the route, with water coolers and storage facilities.

Public utilities with automatic flushing systems along the track and at the Bhawan. After 6 km. of trekking, you would reach Adhkawari, the holy cave where Mata meditated for nine months. Do visit the cave. After 9.5 km., you would reach Sanji Chhat where you can rest for sometime. Accommodation is also available at this place. Bhawan is just 3.5 km. away.

The Darshan
At the entrance to the cave is a place called Bhavan where the worshipper buys prasad (offering to the God, a little of which is returned to the devotee for distribution amongst his near and dear ones) and other offerings. Here the Yatri is issued a token number on showing the Yatra ticket. The group no. and the time for the Yatri's turn is mentioned on the token.

At Bhavan there are cloakrooms, lockers for your belongings and change rooms. It is customary to bathe and change clothes before joining the queue for the darshan. Amidst the continuous chanting of Jai Mata Di, pilgrims wait patiently for their turn after depositing their coconut at the entrance for which they are given tokens. Each one has to enter the cave alone as the tunnel to the shrine is very narrow and has to be negotiated with care. Once inside it widens out to provide darshan of the goddess. The return is via a different route that takes the devotee to the shrine of Bhairon and then back to Katra.

Cave

The total length of the holy Cave is about ninety eight feet. Here you can see symbols of a large number of Gods and Goddesses of the Hindu pantheon. At the mouth of the original tunnel to the holy Cave on the left hand side of the rock face you can see the symbol of Vakra Tunda Ganesha. Adjacent to the symbol of Lord Ganesha you can see the symbols of Surya Dev and Chandra Dev. When you crawl into the holy Cave through the natural tunnel you cross over the Dhadh of Bhairo Nath who was beheaded by the Goddess at the entry point to the holy Cave. The Dhadh is fourteen feet long. After this you come across the symbol of Lord Hanuman who was also called Launkra Beer.

Beyond the Launkra Beer point you have to wade your way through water Twenty three feet beyond Launkra Beer, on the left upper hand side, the roof of the cave flares out and the weight of this over hang appears to the resting on the innumerable heads of Shesh Nag. Immediately below Shesh Nag there is the Havan Kund of Mata. Adjacent to the symbols of Shankh, Chakra, Gada and Padam. Higher up, almost touching the ceiling of the cave are the symbols of the five Pandavas, the Sapt Rishi, the Than of the divine cow, Kamdhenu, Brahma, Vishnu, Shiv and Parvati.

Three feet further ahead, on an elevation some what lower than Shiv and Parvati, is the Khamba that was gripped by the legendary worshipper Prahalad. Diagonally below this, at the water level you can see the Yantra with innumerable mystical signs and symbols inscribed on it. Twenty two feet beyond this point, the Sher Ka Panja symbolising the lion, which is the mount of Mata Vaishno Devi Ji is located.

The distance from the entry point to the Sher Ka Panja is fifty nine feet.. Six feet further ahead, on the left hand side, are the symbols of Shankar and Gouri. Thirteen feet beyond the symbols of Shankar and Gouri the holiest of the holy Pindies of ``Mata Maha Kali Ji'', ``Mata Maha Lakshmi Vaishno Devi Ji,'' and ``Mata Maha Saraswati Ji''.appear .To the right of the holy Pindies on the upper side we can once again identify the symbols of Ganesh, Surya Dev, Chandra Dev and Goddess Annapurna. Slightly behind the holy Pindies, on the right hand side you can see the symbol of the seated Sinh Raj. A little ahead of this you can make out the full hand of the Goddess raised in the Vard Hast mode, granting boons to the world. Immediately opposite the Holy Pindies is the natural symbol of Lord Pashupati Nath.

Water(Charan Ganga) gushes out of the base of the holy Pindies and flows out of the holy Cave. Charan Ganga is collected in small containers by the devotees and is taken home. It is also channelised to the bathing ghat and the devotees can take a bath in this water before they join the queue for Darshan of the holy Pindies.

The Pindis
The cave at the Trikuta mountain is indeed a unique cave as it is in this cave that Shakti in her incarnation of Vaishavi resides in a petrified rock form and it is only here that she is manifested in her 3 forms Maha Kali , Maha Lakhsmi and Maha Saraswati The holiest of the holy Pindies of "Mata Maha Kali Ji", "Mata Maha Lakshmi Vaishno Devi Ji" and "Mata Maha Saraswati Ji which are the ultimate destination for pilgrims are located at a distance of 91 feet inside the cave .In the surroundings symbols of 'Surya', 'Chander', 'Sinh Raj', 'Pashupatinath', 'Shiva' and 'Dhrupad Ji' are quite prominent.

A stream of water gushes out of the base of the holy Pindies which is commonly known as 'Charanganga'. After flowing through the cave this Charanganga is chennalised to 'Bathing Ghat' at Bhavan where the devotees take their bath before proceeding for Darshans of the deity. As a mark of reverence the devotees also carry this 'Charanjal' in small containers to their homes.

The Aartis
The Aarti of the Goddess is performed twice a day, once during the morning at sun rise and again during the evening at sun set. The holy cave is closed for pilgrims during the period the Aarti is being performed. It usually takes around two hours for the Aarti to be completed. Only the Pujaris, Sahayaks and an officer are permitted in the cave when the Aarti is being performed. The sequence of the various activities that are performed at Aarti is as under :

Chanting of Mantras
At the commencement of the Aarti the Pujaris utter aloud the 108 names of Durga. Then they perform Atam Puja for their own purification and apply Tilak on each other's forehead. This is followed by the chanting of mantras exhorting the Devas to give the Pujaris sound health. Thereafter, Prithvi, Surya, Deep and Dhoop are worshipped by the chanting of mantras. Once these activities are over, the Pujaris chant the Pratigyaa Sankalp where they vow to worship Mata Maha Kali, Maha Lakshmi Vaishno Mata and Mata Maha Saraswati

Ban Ganga Temple
After the goddess left the Bhumika Temple, she went to the Trikuta Hills passing through here. At this time, Langoor Vir (Veer Langur) felt thirsty. The goddess shot an arrow into the stone and a holy river was produced, now known as Ban Ganga. It is called Ban Ganga because the goddess washed her hair at this place. Most pilgrims take bath here. You must show the slip you got near the Bus Stand in Katra to pass this point. Ban Ganga is about 3 km from Katra.

Charan Paduka Temple
This is where the goddess stopped for some time while Bhairon was chasing her. Her footprints are supposed to be visible on a stone at this place. Charanpaduka means "holy footprints". It is about 1.5 km from Ban Ganga at 3,380 feet.

Ardh Kuwari
Ardh Kuwari is the halfway point, and some pilgrims stay here for the night. There is a 15-foot-long cave called Garbha Joon where the goddess hid herself for nine months and showed herself to a saint. The cave is narrow, and you have to almost crawl all the way through it. When Bhairon entered the cave, the goddess made a new opening with her trident and ran away. Ardh Kuwari is 4.5 km from Charan Paduka and 4,800 ft above sea level.

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Tirupati Balaji Temple

Tirupati Balaji Temple

The ancient and sacred temple of Sri Venkateswara is located on the seventh peak, Venkatachala (Venkata Hill) of the Tirupati Hill, and lies on the southern banks of Sri Swami Pushkarini.It is by the Lord's presidency over Venkatachala, that He has received the appellation, Venkateswara (Lord of the Venkata Hill). He is also called the Lord of the Seven Hills.

The temple of Sri Venkateswara has acquired unique sanctity in Indian religious lore. The Sastras, Puranas, Sthala Mahatyams and Alwar hymns unequivocally declare that, in the Kali Yuga, one can attain mukti, only by worshipping Venkata Nayaka or Sri Venkateswara.

The benefits acquired by a pilgrimage to Venkatachala are mentioned in the Rig Veda and Asthadasa Puranas. In these epics, Sri Venkateswara is described as the great bestowed of boons. There are several legends associated with the manifestation of the Lord at Tirumala.

There is ample literary and epigraphic testimony to the antiquity of the temple of Lord Sri Venkateswara. All the great dynasties of rulers of the southern peninsula have paid homage to Lord Sri Venkateswara in this ancient shrine. The Pallavas of Kancheepuram (9th century AD), the Cholas of Thanjavur (a century later), the Pandyas of Madurai, and the kings and chieftains of Vijayanagar (14th - 15th century AD) were devotees of the Lord and they competed with one another in endowing the temple with rich offerings and contributions.

It was during the rule of the Vijayanagar dynasty that the contributions to the temple increased. Sri Krishnadevaraya had statues of himself and his consorts installed at the portals of the temple, and these statues can be seen to this day. There is also a statue of Venkatapati Raya in the main temple.

Sri Venkatachala Mahatmya is referred to in several Puranas, of which the most important are the Varaha Purana and the Bhavishyottara Purana. The printed work contains extracts from the Varaha Purana, Padma Purana, Garuda Purana, Brahmanda Purana, Markandeya Purana, Harivamsa, Vamana Purana, Brahma Purana, Brahmottara Purana, Aditya Purana, Skanda Purana and Bhavishyottara Purana. Most of these extracts describe the sanctity and antiquity of the hills around Tirumala and the numerous teerthams situated on them.

The legends taken from the Venkatachala Mahatmya and the Varaha Purana, pertaining to the manifestation of the Lord at Tirumala, are of particular interest.

According to the Varaha Purana, Adi Varaha manifested Himself on the western bank of the Swami Pushkarini, while Vishnu in the form of Venkateswara came to reside on the southern bank of the Swami Pushkarini.

Padi Kavali Maha Dwara
The Padi Kavali Maha Dwara or Outer Gopuram stands on a quadrangular base. Its architecture is that of the later Chola period. The inscriptions on the gopuram belong to 13th century. There are a number of stucco figures of Vaishnava gods like Hanuman, Kevale Narasimha and Lakshmi Narasimha on the gopuram.

Sampangi Pradakshinam
The path for circumnavigating the temple is called a pradakshinam. The main temple has three prakarams. Between the outermost and middle prakarams is the second pathway for circumambulation known as the Sampangi Pradakshinam. Currently, this pathway is closed to pilgrims. The Sampangi Pradakshinam contains several interesting mandapams like the Pratima Mandapam, Ranga Mandapam, Tirumala Raya Mandapam, Saluva Narasimha Mandapam, Aina Mahal and Dhvajasthambha Mandapam.

Ranga Mandapam 
Ranga Mandapam, also called the Ranganayakula Mandapam, is located in the south-eastern corner of the Sampangi Pradakshinam. The shrine within it is believed to be the place where the utsava murti of Lord Ranganadha of Srirangam was kept during the 14th century, when Srirangam was occupied by Muslim rulers. It is said to have been constructed between 1320 and 1360 AD by the Yadava ruler Sri Ranganadha Yadava Raya. It is constructed according to the Vijayanagara style of architecture.

Tirumala Raya Mandapam
Adjoining the Ranga Mandapam on the western side, and facing the Dhvajasthambha Mandapam is a spacious complex of pavilions known as the Tirumala Raya Mandapam or Anna Unjal Mandapam.

It consists of two different levels, the front at a lower level and the rear at a higher. The southern or inner portion of this Mandapam was constructed by Saluva Narasimha in 1473 AD to celebrate a festival for Sri Venkateswara called Anna Unjal Tirunal. This structure was extended to its present size by Araviti Bukkaraya Ramaraja, Sriranga Raja and Tirumala Raja.

It is in this Mandapam, that the utsava murthi Malayappan, holds His annual darbar or Asthanam during the hoisting of the Garudadhwaja on Dhwajastambham to mark the commencement of Brahmotsavam. Incidentally, the prasadam distributed on this occasion is still called Tirumalarayan Pongal.

Tirumala Raya Mandapam
The Mandapam has a typical complex of pillars in the Vijayanagara style, with a central pillar surrounded by smaller pillars, some of which emit musical notes when struck with a stone. The main pillars have rearing horses with warriors mounted on them. Some of the best sculptures of the temple are found in bold relief in the Mandapam. The bronze statues of Todermallu, his mother Matha Mohana Devi and wife Pitha Bibi, are kept in a corner of the Mandapam.

The Aina Mahal
The Aina Mahal is on the northern side of the Tirumala Raya Mandapam. It consists of two parts - an open mandapam in the front consisting of six rows comprising six pillars each, and a shrine behind it consisting of an Antarala and Garbhagriha. It has large mirrors which reflect images in an infinite series. There is an unjal in the middle of the room in which the Lord is seated and festivals conducted.

The daily program starts with 'Suprabhatam' (awakening the Lord) at three in the morning and end with the 'Ekanta Seva' (putting the Lord to sleep) at one in the night. Daily, Weekly and Periodical 'Sevas' and 'Utsavams' are performed to the Lord. Interested pilgrims can choose from the list and pay to get the Sevas or Utsavams done on their name. Devotees offer their gifts and donations in the "Hundi", which is the main source of income.

Everyday is a day of festivity at Tirumala. The most famous is the annual festival called 'Brahmotsavam', which is celebrated on grand scale for nine days in September, attracting pilgrims and tourists from all parts of the country. The fifth and ninth days of the festival are especially significant in as much as Garudostavam and Rathotavam takes place on those days.

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Thousand Pillar Temple

Thousand Pillar Temple

About 150 kms. from Hyderabad lies the ancient city of Warangal. Noted today for its beautiful lakes, magnificent temples and wildlife, Warangal possess the marvelous thousand pillared temple, built by King Rudra Deva in the 12th century. The famous Thousand Pillar Temple, built in 1163 AD, by king Rudra Deva is an important monument situated near the Hanamkonda-Warangal highway. One thousand richly carved pillars and a magnificent black basalt Nandi bull are unique to this temple which is dedicated to Lords Shiva, Vishnu and Surya.

The temple is in shape of a star and has three shrines dedicated to Lord Shiva, Vishnu and Surya. The temple is built on a 1m high platform on the slopes of the Hanumakonda hill, and has a majestic monolithic Nandi. The black basalt Nandi, a monolith, has a lovely polished finish. There are many small lingam shrines surrounding the gardens. The temple is famous for its richly carved pillars, screens and detailed sculpture.

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The Sun Temple

The Sun Temple

Built in 1026 A.D. during the reign of King Bhimdev I of the Solanki dynasty, the Sun temple is dedicated to the Sun God. This temple, though ravaged by Mehmud of Gazni, still retains enough of it's original structure to convey the grandeur of its conception and the superb artistry of execution. Every inch of the edifice, both outside and inside is carved magnificently with motifs of gods and goddesses, birds, beasts and flowers. Modhera is now the site of several dance and cultural festivals. The sun temple and the ambiance here provide a majestic backdrop for the exhibition of performing arts.

Even in its ruined state, the sun temple at Modhera is magnificent. The first view of the sun temple is breathtaking, with the pillared portico of the sabhamandap reflected in the massive tank. The weathered golden brown stone of the edifice has an overpowering grandeur. There is no worship offered here now. There is no shikhara either. The temple has a sanctum, a pradakshina patha and a sabha mandap in front. The exterior of the sanctum has many carved images of the Sun God, portrayed as wearing a belt and long shoes. The mandapa in front of the sanctum has beautifully carved pillars with exquisite toranas adorning the entrances. The exterior of this temple is intricately carved. This temple has been designed such that the sun's rays illuminate the sanctum at dawn.

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Shankracharya Temple

Shankracharya Temple

Kashmir has produced a galaxy of great saints, seers and savants who have enriched, elevated and refined life and helped the people at large in distress. This is perfectly showcased in the Shankracharya Temple. The temple shows the early Kashmiri style. It tries to introduce the early Sihara style and has still one-storeyed gable pediment which is evident even now. Here we find the early specimen of the horse shoe arch, prominent in the final stages of this architecture, as, for example, in Martand.

It was first built by Jalauka, the son of great Emperor Ashoka, about 200 B.C. The temple was later rebuilt and dedicated to Jyesthesvara by Gopaditya, who ruled from 253 A.D. to 328. The hill was called Gopadri and the village at its foot on the south is still called Gopkar. It is also said that once Shankaracharya, a famous Hindu saint, came to Kashmir from South India to revive Hinduism. He stayed on the top of the hill for sometime and the hill thus came to be known as Shankaracharya hill.

This temple stands on a solid rock and consists of an octagonal basement of 13 layers. Each of the four sides has two projections which terminate in pediment and agable, the latter intersecting the main roof half way up its slope. The body of the temple is surrounded by a terrace enclosed by a stone wall or parapet, 3.5 feet high. This in following the outline of the basement, preserves its octagonal shape. From the terrace another flight often steps leads to the door of the temple. The interior is a chamber, circular in plan, with a basin containing a lingam. The whole of the building is of stone, which is laid throughout in horizontal courses, no cement appearing to have been used.

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Sabarimala Temple

Sabarimala Temple

Perhaps the best known pilgrimage destination in Kerala, Sabarimala is situated high up in the Sahyadri Mountains. Sabarimala Sri Dharmasastha Temple is the most famous and prominent among all the Sastha Temples. It is believed that "Parasurama Maharshi" who uplifted Kerala from the sea by throwing his axe, installed the idol of Ayyappa at Sabarimala to worship Lord Ayyappa. The temple attracts pilgrims not only from the southern states of India, but also from other parts of the country and abroad.

Various legends explain the birth of Ayyappa, among them that he was born to battle the demons of Kerala's hill tribes. Brought up by a childless tribal king, Ayyappa performs many miracles. After fulfilling the purpose of his incarnation, Ayyappa entered the inner sanctum of the ancient temple upon sacred Mt Sabari and disappeared. During his life, Ayyappa reportedly kept the company of tigers and leopards.

The Sabarimala temple attracts the maximum pilgrims on the first day of the 'Makharam' month on January 17, when a celestial light appears on top of a nearby hill. Thousands arrive just to see the light, which is considered sacred. All the devotees, after taking a holy dip in the river, trek to the hilltop temple. Before beginning the pilgrimage to Sabarimala, pilgrims prepare themselves with 41 days of rigorous fasting, celibacy, meditation and prayer. The standard items that are carried to the temple include a coconut filled with ghee and two other coconuts that are broken in front of the temple.

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Sai Baba Temple

Sai Baba Temple

Shree Shirdi Saibaba Temple is located at Shirdi, Maharashtra, India appeal to millions of devotees of every caste, creed and religion. The Saibaba temple is a lovely shrine. Shrine was built above the Samadhi of the Shri Saibaba.

The Shirdi is a small village into Kopargam taluk into Ahmad nagar district of Maharashtra State. The Saibaba was physically there on the age of 20 into Shirdi. Shirdi was a small village of the 80 thatched houses among mud walls. Nowadays, Shirdi is a large town by modern shops and buildings.

Thursday is day of Saibaba is specifically worshipped. At Thursday devotees as of every above India visit of the Shirdi Saibaba Darshan. The Shirdi Saibaba temple opens for the devotees on 5.15 a.m. for Kakad Aarti and stays open till end of the Shejarti.

The headman of a Chandbhai was called Dhoopkhede. He had given permission to Saibaba for staying in village. Sai baba was called fakir by some people. For his entire life Saibaba preached at Shirdi and performed number of miracles to persuade people that god exists. Baba said that god is one but called by various names. Saibaba said follow up your individual religion and seek of the truth.

Temple places

Dwarkamai

With a marriage procession, Baba came to shirdhi. Saibaba stayed at dwarkamai till the end of his life. The dwarkamai is located at the right of entrance of the Samadhi mandir. Baba solved the problems of people, cured their worries and sickness at this place. Baba came into dwarkamai and showed that god is one. The 1st level of Dwarkamai has a picture of the Sai Baba and a large stone on baba used to sit. The first level has two rooms. The first room has chariot and second room contain palkhi. Chariot is small temple. The 2nd level of the Dwarkamai has made of square stool stone. Baba used this stone for taking the bath. The major attraction of the dwarkamai place is an oil painting of the Saibaba sitting in a sliced wooden shrine.

Samadhi Mandir

The Samadhi Mandir of the Shri Saibaba was really owned with a millionaire as of Nagpur, well-known Saibaba devotees Shreemant Gopalrao. The Shreemant Gopalrao wanted to protect a god of the Murlidhar here. However, Baba him self become Murlidhar and the Mandir become the Samadhi Mandir of the Saibaba. The Saibaba mandir is developed by stones and Baba's Samadhi mandir is developed by white marbles stones.

A railing is developed into marble around the Samadhi mandir and is complete of ornamental decorations. The Samadhi mandir fronts are 2 silver pillars complete of decorative designs. This god was made with the late of Shri Balaji Vasant.

The every day routine of the mandir starts on 5 o'clock in the morning by Bhoopali for a morning song and closes on 10 o'clock into the night behind the Shejarati is a sung. Simply at 3 occasions the mandir is reserved open during the night that is at Dassera, Ramnavmi and Gurupoornima. All Thursday and at every festival a Palakhi by Saibaba's photo is taken out as of the mandir.

Khandoba Temple

The Shriddi Saibaba temple is located on the main road. In frontage of this temple Saibaba was welcomed with Poojari Mhalsapati of the Khandoba temple. In Shirdi Saibaba temple there are icons of Mhalsai, Banai and Khandoba.

Top Gurusthan

The Saibaba 1st came to Shirdi into the type of the Bal Yogi means a child ascetic. Saibaba was 1st seated spot below a Neem tree. The Neem tree place came to be known as the Gurusthan. The Gurusthan was modernized at 30th September; 1941. There is a little shrine into Gurusthan. A large portrait of The Sai Baba is placed on raised platform of the shrine. At the side there is a marble statue of the Baba. The front portraits are a Nandi and Shivling. In this temple, 12 photos of jyotirlings are peresent. The Neem tree branches have come out through the roof of the Mandhir. At a small distance there is a Baba's Chavadi. The Saibaba used to sleep chavadi all alternate day. The Chavadi is separated into two parts. The Chavadi has a wide portrait of the Saibaba along with a white chair and a wooden bed belonging to him.

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